Jessica Rudman

Jessica Rudman (http://www.jessicarudman.com) is an American composer whose recent works engage with contemporary social themes through realistic or fantastical frames. Her style blends melodic development and narrative structures with sensual harmony and vibrant color to create an intense emotional expression. Rudman’s music has been presented across the USA and abroad by performers including the International Contemporary Ensemble, the Indianapolis Chamber Orchestra, and Hartford Opera Theater. Jessica is a  2019 Connecticut Artist Fellow, with support from the Connecticut Office of the Arts, which also receives funding from the National Endowment for the Arts, a federal agency.

Julia Soojin Cavallaro

Julia Soojin Cavallaro, composer and mezzo-soprano, enjoys a richly varied career in art song, choral music, oratorio, and opera. She has premiered several of her own works at Tufts University in collaboration with composer and pianist John McDonald. Born and raised in the Boston area, Ms. Cavallaro grew up in an Italian/Korean American household filled with music and art. A graduate of Harvard College and Boston University, she has performed with many leading ensembles in the U.S., including the Handel and Haydn Society, Boston Landmarks Orchestra, Boston Opera Collaborative, and most recently, New Camerata Opera in New York City.

Dara-Lyn Shrager

Dara-Lyn Shrager is an editor and poet in Princeton, NJ. Her poems have appeared in many journals and her first full-length poetry collection, "Whiskey, X-Ray, Yankee", was published by Barrow Street Books in 2018. She is the co-founder and co-editor of Radar Poetry, an online poetry and art journal. She has taught poetry workshops in many settings and is currently the Poet-in-Residence at the Princeton Public Library in Princeton, NJ.

J.J. Lokshtanov

J.J. Lokshtanov (né Locke) is coordinator of the Frank Scott Poetry Day (August 1). Previously, he was coordinator of the 2008 Montreal International Public Poetry Festival, organizer of the O Canada rewrite contest, and director of the 2009 Leonard Cohen 75th birthday events . In addition, J.J. was VIA Rail's 2011 Destination's Magazine in-house poet. He has read his work in Canada, the US, and France. His latest work, The Snow In Nepal, was published in the anthology, Eternal Snow, Nirala Publications. In 2004, his first book of poetry, Freedom's Narrow Window, was published.

Christine Leviczky Riek

Christine Leviczky Riek is a poet and photographer from Surrey, BC. Her poetry has been published in The Capilano Review, and Pulp Literature. Her photographs have been shown in galleries throughout the Lower Mainland.

Athena Kildegaard

Athena Kildegaard is the author of five books of poetry. She holds an M.A.T./English from the University of Chicago and teaches in the English and Environmental Studies programs at the University of Minnesota Morris, where she also directs the Honors Program. Kildegaard's poems have appeared widely in such journals as Malahat Review, Ecotone, RHINO, Rattle, Northwest Review, and elsewhere. Her poems have been set as art song and for chorus by several Minnesota composers, including Libby Larsen. She is now collaborating with a Minnesota composer to create a longer choral and instrumental work on the theme of immigration.

Ariel Gordon

Ariel Gordon is a Winnipeg writer. Both her collections of poetry, Hump and Stowaways, won the Lansdowne Prize for Poetry. She recently co-edited GUSH: menstrual manifestos for our times (Frontenac House, 2018) with Rosanna Deerchild and Tanis MacDonald. In 2019, she will publish two books: Treed, a book of urban-forest essays with Wolsak & Wynn in spring and and TreeTalk: Winnipeg, a chapbook/trade poetry collection with At Bay Press in fall.

Tara K. Torme

I am a poet who's been writing for many years. I've self published a book of poetry back in 2006. I am still working on my craft. I have Asperger Syndrome.

Kelly Krebs

Kelly Krebs is a Minneapolis-based composer who loves writing for singers. After a 20-year creative hiatus, Krebs returned to composing in 2015. He was selected as a composer for the MNSong Program at the 2017 Source Song Festival and in 2018, he was part of the Composer-Librettist Studio with Nautilus Music-Theater. He is currently working on the musical “Norman!” – a wildly imaginative, tragicomic prequel to the events in the classic Hitchcock film PSYCHO.

Baritone, Steven Bélanger

An accomplished clarinetist and singer, baritone Steven Bélanger is a graduate of Queen’s University (BMus, BA) and McGill University (MMus). He has performed with ensembles of all sizes and genres across Canada including the Studio de musique ancienne de Montréal (SMAM), Les Violons du Roy and La Chapelle de Québec, Opéra de Montréal, VivaVoce, the Elmer Iseler Singers, the Canadian Chamber Choir and Arion Baroque Orchestra. He has appeared as soloist with the Orchestre symphonique de Montréal (OSM), the McGill Baroque Orchestra, Voix Libres, Le Choeur du Vieux-Montreal, Les Grands Ballets canadiens de Montréal, the Kingston Symphony Orchestra, the Queen’s University Symphony Orchestra, the Quinte Symphony, the Grand River Chorus, Opera After Hours, the Victoria Baroque Players and the Prince George Symphony Orchestra.

Steven has appeared at music festivals across North America including the Montreal Baroque Festival, the Festival international de Lanaudière, the Montreal/New Music International Festival, Festival Vancouver, the Lamèque International Baroque Music Festival in New Brunswick and the Festival Internacional Cervantino in Mexico. He has participated in over a dozen recordings for such labels as Decca, ATMA, Naxos, Centrediscs and Grouse Records, and has recorded music for radio, television and the Cirque du Soleil.

Locally, Steven has performed as both soloist and ensemble singer with the Vancouver Chamber Choir, Early Music Vancouver, the Vancouver Cantata Singers, the Erato Ensemble, SummerChor, Laudate Singers and Stellaria. Recent engagements include the title role in Dido and Aeneas with Players & Singers and the first public workshop of Lloyd Burritt’s new opera, The Art of Camouflage, based on the memoir of Canadian writer Betsy Warland. Steven is currently the General Manager of the Vancouver Chamber Choir and is a featured artist on their newest recording of the music of Canadian composer R. Murray Schafer entitled The Love that Moves the Universe.

Soprano, Robyn Driedger-Klassen

At the age of sixteen, Robyn Driedger-Klassen discovered that singing came more naturally than her attempts on the piano at Bach Preludes and Fugues.  She won a few competitions in those early days and after a few years of dilly-dallying in other university programs, she decided that music was the only career for her so, she  undertook the voice performance program at UBC with vigour.

Robyn has done lots of performing in lots of places.  She loves the costumes and grandeur of opera and adores the personal and intimate side of recitals.

Several years ago, Robyn was hired by the Turning Point Ensemble to do a work for voice and ensemble by R Murray Schafer entitled Arcana.  Faced with singing Egyptian hieroglyphs, Robyn found herself first at a complete loss, but soon fully enjoyed unravelling the mysteries found on the page.  Schafer witnessed her successful performance and since then, Robyn has thrown herself whole-heartedly into performance of contemporary vocal repertoire.  Some of her favourites have been: a fully-staged performance of Libby Larsen’s Try Me Good King, the final words and letters of the wives of Henry VIII;  Kaaija Saariaho’s Lonh, for soprano and electronics that make lovely bird sounds; Jake Heggie’s At the Statue of Venus, a woman’s inner monologue as she waits for a blind date; Brian Current’s Inventory, a complicated piece about a woman’s relationship with shoes; David McIntyre’s On the Road to Moose Jaw, a soaring song about a prairie drive; Leslie Uyeda’s White Cat Blues, a set of songs written for her with poems by Lorna Crozier; and Perruqueries, a commissioned set of songs about wigs from the weird and wonderful minds of Jocelyn Morlock and Bill Richardson.  This is an exciting time to be working with North American composers and Robyn is thrilled to make their songs come alive. However, she will always make time to sing Mozart, Schubert or Richard Strauss!

Robyn is on the core faculty of the Vancouver International Song Institute, and is also pleasantly surprised to find herself Head of Voice at the Vancouver Academy of Music. Robyn loves books, geraniums, hikes, canoes, cups of tea and a clean house.  Robyn lives with her husband and two vocal critics under the age of five. She can bake a wicked loaf of bread and in recent times, has learned a considerable amount about monster trucks, fast cars and dinosaurs.

Pianist, Corey Hamm

Pianist Corey Hamm is establishing a unique musical profile performing widely in North America and in Asia as both soloist and chamber musician. His CD of Frederic Rzewski’s hour-long solo piano epic The People United Will Never Be Defeated! (Redshift Records)  won Spotify's Best Classical Recording 2014, and Best Classical Recording at the 2014 Western Canadian Music Awards. He has performed the work over 80 times and many more performances are to come in 2018,  the year of Rzewski’s 80th Birthday. Corey Hamm’s extensive work in the 1990s with  the great French composer Henri Dutilleux will  come to fruition in his plan to record Dutilleux’s complete works for solo piano and chamber with piano in the near future. Among his other recording plans is a soon-to-be-released CD of solo works written for him by Keith Hamel, Jocelyn Morlock, Jordan Nobles, Dorothy Chang, and  Scott Godin, a CD with Nu:BC, and two more CDs with PEP (Piano and Erhu Project). He recently performed two works on Jocelyn Morlock’s CD, on Redshift Records. 

Corey Hamm has commissioned, premiered and recorded over three hundred works by composers  from all over the world.  These commissions have been for solo piano, various chamber music formations as well as concerti. 

His most extensive collection of commissioned works includes over 70 pieces  for  PEP (Piano and Erhu Project) with whom he has toured China.  To date the composers for the project come from China, Canada, UK,  and the United States, and include Michael Finnissy, GAO Ping, Brian Cherney. The result is a new and flourishing catalogue of works for piano and erhu composed in the musical languages of the 21st century.  This combination of instruments bringing together two of the world’s great musical traditions,  now has a unique collection of works for Nicole Ge Li and Corey Hamm to draw from for audiences of the 21st century. They have released some of these works on their PEP CDs, Vols. 1 and 2 (Redshift TK437 and 440). Volume 2 was nominated for Best Classical Recording at the 2015 Western Canadian Music Awards. Volumes 3, 4 & 5 are in preparation for release in 2019. 

He has also commissioned  over 50 works for The Nu:BC  Collective and for  Hammerhead Consort  (two piano and two percussion).  As pianist for The Nu:BC Collective  he has released the critically acclaimed CD Beyond Shadows (Redshift TK432). As a founding member of Hammerhead Consort, he received the 1993 Sir Ernest Macmillan Memorial Foundation Chamber Music Award, and was winner of the 1992 National Chamber Music Competition. 

In recent years, Corey Hamm has studied, recorded and toured one of the great piano works of the last decades, Frederic Rzewski's monumental hour-long solo piano epic, The People United Will Never Be Defeated! (Redshift TK431). This work, made up of a theme and 36 variations, has been recorded by a small number of pianists including Marc-André Hamelin, Ursula Oppens,  and Stephen Drury. Frederic Rzewski received Corey Hamm’s interpretation as one of the finest to date. “Excellent! Bravo! This may be the best recording.” 

Corey Hamm premiered Dorothy Chang’s new PEP Double Concerto for erhu and piano soloists, Gateways, with the Vancouver Symphony Orchestra (VSO) in Apr. 2018, and was soloist in the World Premiere of Jordan Nobles’ Piano Concerto with Bramwell Tovey and the VSO. He gave the World Premiere of Howard Bashaw's Concerto for Two Pianos and Percussion with conductor Grzegorz Nowak and the Edmonton Symphony Orchestra, and  has recent and upcoming performances of Prokofiev’s Piano Concerto 3, Prokofiev Piano Concerto 2, Bartok’s Piano Concerto 2, Lutoslawski’s Piano Concerto, Ravel’s Piano Concerto for the Left Hand, Faure’s Fantasie Op. 111, and Gershwin’s Rhapsody in Blue.

Dr. Hamm is Professor of Piano at the University of British Columbia in Vancouver, where he was awarded the prestigious Killam Teaching Award. He is on the Piano Faculty of both the Summer Institute for Contemporary Performance Practice (SICPP) at NEC in Boston, and MusicFest Perugia, in Italy. His beloved teachers include Lydia Artymiw, Marek Jablonski, Stéphane Lemelin, Ernesto Lejano, and Thelma Johannes O'Neill.

Guest Composer, Leslie Uyeda

As a long-time friend of Art Song Lab, we’re thrilled to have legendary composer and collaborative pianist, Leslie Uyeda as our guest composer for Art Song Lab 2020.

For your chance to work with Leslie, apply today.

Born in Montréal, Québec, Leslie Uyeda is a composer, pianist and conductor.

She studied piano with the late Dorothy Morton at McGill University and with William Aide at the University of Manitoba. She has played chamber music since her student days and continues to perform her own music with her colleagues.

During 20 years in opera, Leslie worked as a coach, pianist and conductor with the Canadian Opera Company, L’Opera de Montreal, Manitoba Opera, Opera Hamilton, the Banff Centre and the Chautauqua Institute of Music in New York. In concert she has collaborated with some of Canada’s best singers, performing recitals with Tracy Dahl, Richard Margison, Brett Polegato, Wendy Nielsen, Heather Pawsey, Liping Zhang, Jean Stilwell and Viviane Houle. After moving to Vancouver, B.C., Leslie became Chorus Music Director at Vancouver Opera, where she also conducted several mainstage productions.

Leslie started composing at a very young age. A few years ago she left her positions at Vancouver Opera and the University of British Columbia to compose full time. Leslie is an Associate Composer of the Canadian Music Centre, and is a member of SOCAN, the Canadian League of Composers (www.composition.org), and the Association of Canadian Women Composers (www.acwc.ca).

Leslie Uyeda's principal publisher is The Avondale Press (AvP) c/o The Canadian Music Centre.

Leslie lives very happily with her family in Vancouver. She loves reading, photography, walking her dog Puff, Iyengar yoga, watching great British TV, and cheering for Le Club de Hockey Canadien – the Montréal Canadiens!

(bio from www.leslieuyeda.com/)

Guest Poet, Renee Sarojini Saklikar

An alumni of Art Song Lab herself, Renee Sarojini Saklikar has done some pretty amazing things in her career since ASL 2012/2013.

For your chance to work with Renee, apply today!

photo credit: Sandra Vander Schaaf

Trained as a lawyer at the University of British Columbia, with a degree in English Literature, Renée Sarojini Saklikar teaches creative writing at Simon Fraser University and Vancouver Community College.

Renée’s first book, Children of Air India, (Nightwood Editions, 2013) won the 2014 Canadian Authors Association Award for poetry and her second book, with Wayde Compton, The Revolving City: 51 Poems and the Stories Behind Them (Anvil Press/SFU Public Square, 2015) was a finalist for a 2016 City of Vancouver Book Award.

Fascinated by artistic collaboration, Renée’s work has been made into opera and song cycles (air india [redacted], Turning Point Ensemble, 2015) and visual art (Chris Turnbull).

Renée is working on an epic sci-fi journey poem, THOT-J-BAP, parts of which appear in literary journals (The Capilano Review, Dusie, The Rusty Toque, Tripwire) and chapbooks (above/ground, Nous-zot and Nomados presses) and her chapbook, After the Battle of Kingsway, the bees, was a finalist for the 2017 bpNichol chapbook award.

She recently published a long poem about her personal connection to the Air India Flight 182 bombing, in an anthology of scholarly and artistic work (Remembering Air India, the art of public mourning, University of Alberta Press, 2017). This spring, Renée published poems about bees in the book Listening to the Bees (Nightwood Editions, 2018) in collaboration with scientist and Governor General award winner, Dr. Mark Winston.

As Surrey’s Poet Laureate, Renée has demonstrated her passion for connecting people through poetry through offering free writing consultations, teaching poetry in schools and at community events, and hosting workshops with youth and seniors to tell Surrey stories. Her legacy project involved bringing teens and seniors together to share their stories (Surrey Stories Connect: teens and seniors write Surrey, Surrey Libraries, 2016).

She is currently collaborating with teen writers on a series of chapbook writing workshops. Since starting the position, she has participated in over 40 events each year and mentored over 150 writers through consultations and workshops.

(bio from https://www.surrey.ca/community/16795.aspx)

Guest Poet, Elee Kraljii Gardiner

Elee Kraljii Gardiner is the author of the book of poems serpentine loop (Anvil Press), one of 2016’s “most anticipated spring releases,” named to three “Best of” lists of the year in Canada as well as shortlisted for the Raymond Souster Award. She is the co-editor with John Asfour of V6A: Writing from Vancouver’s Downtown Eastside (Arsenal Pulp Press, 2012), which was shortlisted for the 2012 City of Vancouver Book Award. A handmade chapbook, Trauma Head (Otter Press, 2017) is a precursor to her second book of poetry with the same name (Trauma Head, Anvil Press, spring 2018) that has already been shortlisted for the Kroetsch Award for Innovative Poetry. She is currently editing Against Death (forthcoming Anvil Press), an anthology of essays by those who have come close to dying. Elee founded Thursdays Writing Collective, a low-barrier, non-profit organization of more than 150 writers in Vancouver and she is the editor and publisher of eight of their anthologies. She is originally from Boston and is a dual US/Canadian citizen.

Elee’s efforts to foster writers earned the 2015 Pandora’s Collective BC Writer Mentor Award. She is also the recipient of CV2’s Lina Chartrand Award in 2011 and in 2014 was a finalist for Malahat’s Far Horizons Prize.

Her writing is published in places including TCR, Event, Prism International, Lemonhound.com. Hers was the first poem published in Harvard Medicine Journal in more than 40 years. She is a contributor to several anthologies such as ForceField (Mother Tongue), Walk Myself Home (Caitlin Press), Enpipe Line (Creekstone), Alive at the Centre (Ooligan Press), Sustenance(Anvil Press) and forthcoming in Gush (Frontenac)  and Ghost Fishing (Split This Rock).

Elee is on the advisory board of the Andover Breadloaf Project and the editorial board of Poetry is Dead. She was a member of the Advisory Council of The Writer’s Studio at Simon Fraser University and has served twice on the City of Vancouver Book Award jury. She is a founding member of CWILA(Canadian Women in Literary Arts) and a two-time member of their Critic in Residence jury. She is a Poetry Ambassador for Vancouver Poet Laureate Rachel Rose and a mentor with Vancouver Manuscript Intensive.

Le Roy Wan

Le Roy Wan is a queer performer, artist and storyteller hailing from their home of East Vancouver. They want to thank all the folks who make Art Song Lab possible, including Rachel Iwassa and Rodney Sherman. Wan is currently a reporter for the queer community news program, OutLook TV. They are also a part of the performance art collective, "Leroy + The Lovebots".

Christopher Reiche Boucher

Christopher Reiche Boucher is a performer and composer in Victoria BC known for his enthusiasm for performing and composing for unusual instruments and performance situations. His compositions have been performed by the Emily Carr String Quartet, Negative Zed Ensemble, Pembroke Symphony Orchestra, ContaQt, and Quatuor Bozzini. In June 2017, he completed a solo 24 hour performance of Erik Satie’s Vexations in Prince George at the Casse-Tête Festival of Experimental Music. Reiche Boucher performs in Victoria at A Place to Listen and with the Victoria Composers Collective. When not composing he is the librarian for the Victoria Symphony.

Barbara Black

Barbara Black recently won first prize in the 2017 Writers’ Union of Canada Short Prose Competition and was a fiction finalist in The Malahat Review 2017 Open Season Awards. Other publications include Freefall, The New Quarterly, and Kaaterskill Basin Literary Journal. A recipient of the $1000 first prize in the 2017 Don’t Talk To Me About Love Poetry Contest, her poems have also appeared in Contemporary Verse 2, FreeFall, Forage Poetry, The Dying Dahlia Review, and Poems from Planet Earth. She lives in Victoria, BC, where she’s currently busy riding the twisties on her new motorcycle.

Janet Rogers

I am a Mohawk poet from Six Nations living on Coast Salish territory (Victoria) since 1994. I have 5 published poetry titles with a 6th due out in Fall 2018. I served as Victoria Poet Laureate 2012-2015. I am a sound artist and enjoyed hosting the Native Waves Radio show on CFUVfm for 10 years and Tribal Clefs Music Column on CBC one for 8 years. I am a spoken word poet, performance poet and produce video poems and audio poems. Self-produced samples of my poetry with music can be found on my soundcloud sites.

Michael Trew

Michael Trew has wide performing and composing experience in a variety of musical genres, including classical, jazz, rock and the healing arts. He began studying Composition with Cortland Hultberg at UBC, graduating with a BMus in (1972). Subsequently he obtained a Professional Teaching Certificate (1976) before returning to obtain a Master's (1980) and Doctorate (1986) in Music Composition. His teachers included Stephen Chatman, Paul Reale, and Elaine Barkin. Currently Michael teaches piano, theory, history, and composition privately, is a performer, and accompanies vocal artists in Vancouver. Original works have most recently been performed by Adrian Verdejo, Tom Shorthouse, Michael Murray, Erato Ensemble, Turning Point Ensemble, Jeremy Berkman and Dave Thomas, as well as Nu:BC.